Freestyle quilting on tshirts

I’ve been asking chat gpt what it’s called when you use shapes haphazardly to make pictures with sewn pieces of fabric and it told me it was called freestyle quilting. Which sounds kind of hilarious and awesome. Anyway, here are some more of the Tshirts i’ve been freestyle quilting. I’m leaning into how low my sewing skills are because there’s no other choice. And that’s serves as kind of a relief in terms of the meditative nature of sewing for me. I’m sure i’m doing a hunch if stuff wrong, I'm. Just learning from YouTube as I go. Being limited to the scraps I bought from the fabric store has also shown me how to work with a really limited palette. I basically just have four colors.

Mask

Made a mask with Jana. Turned a stuffed animal if a cat inside out and resewed it and then Jana added the mouth.

More Pillows and shirts

Studio makeover is complete!

This took far more work than I originally expected. But I’ve completely remade my studio from top to bottom. Putting more of an emphasis on displaying my works and having space where I can teach workshops for oko.academy. There are some other reasons why using a studio as both a gallery of your personal works as well as a place to teach are a good idea. While this goes against a lot of how pricing is structured in the gallery world, I feel as if I’ve differentiated my “consumer products “ from my paintings. I’m even considering whether or not I should brand them as a separate thing altogether. Or perhaps just see them as collections. Like, this is my spring collection of shirts. Or this is my collection of pillows about owls. Whatever. Part of me also kind of detests all of this worry about branding ones self, and trying to create a laser focused marketing pitch to the art world. Bumper sticker ideas are easy to sell. Reminds me of Jenny Holzers piece which was just one sentence descriptions of what artists were known for. Is that the end goal of all this work? “oh, he’s that guy that did those blobby portraits about avatars”Maybe. Maybe that’s good. Maybe we only have one thing that sticks because good ideas are hard to come by. But I just can’t help myself but flail around and spend a couple weeks making pillows, and I din’t feel like I need to justify why to anyone.

Anyway. New studio is super nice and the start of a new chapter.

Studio spring cleaning continues

Another full day of cleaning out my studio and rearranging the paintings. I’ve always just hung works in the wall as I did them. If there was a space.Id just fill it. Today I started the morning by picking up some more wood because I need to frame up a bunch of paintings I did for the CJ project. Then got to the studio with that and some black enamel paint. And I repainted a shelf to make into a display case for some textile works I’ve been making. I guess with side projects like my shirts and pillows, that at a certain point there will be need to make them “better “ or more refined. Right now it’s super fun making the shirts and exploring new ways of painting. Especially with bleach and airbrush together, and also incorporating some screen printing as well. This has creates a thing. A thing which was spontaneous and is being refined. Hopefully that freshness continues as I begin to explore more. I’ve also been really digging on using the sewing machine to draw and then finish with some airbrush on the fabric. Some textiles have a really skinlike texture to them and this could be interesting to exploit in some stretched painting pieces using alternative textiles in addition to canvas. All stitched together. Cut up and reconstituted.

Anyway. I made this new little cutup combination today while my studio is still in transition to jt’s new state.

Studio rearrangement

Spent the day with Jana and Inka rearranging my studio. It was Inkas idea because as she said “coming into your studio feels like I’m walking into my grandma’s house “. But in the end Inka spent most of the day on the couch watching Worlds Strictest Parents which is a show about sending off problem kids to live with strict authoritarian families in places like Texas and India. Anyway. Studio revamp is in process and taking far longer than I thought. I kind of build my studios as I work in them. Creating ridiculous contraptions to hold my brushes or thinner. Everything is built around me sitting or standing and painting. My palette has to be to the right. My source material to the left. I call my studio and easel my cockpit since I can access everything from one chair. I feel like these simple things can be extremely important for your artists to learn and get comfortable with. Iy’s kind of like holding a guitar. There’s a way your body wants to do it at first, and then a right way to do it that’s a bit awkward at first but you become accustomed to with time.

Another ugly pillow

I’m pobably spending too much time making these. Meh

Made an ugly pillow

Today I continued to learn how to use the sewing machine and I made an ugly pillow.

Got my sewing machine

I’ve been waiting to get my sewing machine back for over a month now. A friend gave it to me for 500kc. It’s a singer tradition, which apparently is the most basic singer you can find. Anyway, so far so good! I think I’ll cut up some canvases and sew them together with patterns and colored fabric. These could also be stretched on canvas as well. I’ve enjoyed the fabric stores I’ve visited and learning about the basics. One nice thing with fabric is that all the colors are preselected. Both for thread and fabric. That makes it quite different to painting in this respect. However, sewing is also fairly permanent. Of course I have already used a razor to cut out my terrible first attempts, but there is a permanence with fabric that paint doesn’t seem to have. With paint you can always paint over it. Another aspect of textiles I like, is that with all the fear swirling around AI and the future of painting, these clunky hand made items are something that AI still coikdn’t make. Even a machine programmed to make a bad drawing with a sewing machine would be too precise. Perhaps that’s where we’re headed. Art and painting will have to retain some elements of the painterlyness and chance and that will be their allure. As AI just continues to improve.

3 more bleached and airbrushed shirts

I made three more bleached, screen printed and airbrushed shirts which are available at my shop in Prague. It’s a tough gig because every shirt takes a minimum of an hour to make, however the whole concept revolves around creating one of a kind Tshirts. Layer I will meet with a local. Czech artist who does hand embroidery on t shirts and sells them as well. We’re hoping to collaborate and also do a token tied drop of shirts so each will have a digital collectible as well. It’s been a lot of fun navigating this weird world of digital collectibles. And I’ve thought a lot about how people value digital items which they buy and own. I honestly don’t think most people can get it until they actually own something. It makes sense of course with video games where users pay for objects that are used in game. But when it comes to just collecting art, many can’t wrap their head around it. Now that I’m making merch, based on an nft drop which was successful, and continue giving back to that community, it’s come full circle in a strange way. Starting off as physical paintings which were then scanned, and rearranged into new compositions. Then these were sold as nfts. So each buyer would get a unique painting that resembles my own, but also stood on its own as a digital art peice as well.

With fine art there is often a fear of collectibles. That they somehow devalue the work itself. If Monet intended on putting his paintings on a coffee cup would the original painting be worth any less? The fact that they are out on coffee ups now, does that somehow make the work have any less value? A long running debate has been ongoing for decades if not centuries now regarding the differentiation of art and craft. With ceramicists taking the hardest hit. As their work is often seen as functional, such as cups, or purely decorative, such as vases. But I’m kind of envious of that tightrope they have to walk between their functional work and their art. And how to reconcile the two. With Tshirts, I’m trying to do the same, and be open to criticism and feedback as I make changes to the final product. Or mvp, as the kids say now. Creating something that resonates with people is already hard, getting them to wear a piece of art is even more difficult. Because I think the artist kind of needs to take the backseat. Like in dancing, “the goal is to make the woman look good” but with t shirt design, part of the goal is to ensure you din’t overpower the person wearing the shirt and just make a nuanced addition. At least rhat’s how I view it.